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Since its initial publication in Berlin in 1928, Jan Tschichold’s The New Typography has been recognized as the definitive treatise on book and graphic design in the machine age. First published in English in 1995, with an excellent introduction by Robin Kinross, this new edition includes a foreword by Rich Hendel, who considers current thinking about Tschichold’s life and work…. More >>
» Read more: The New Typography
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Essay by Wolfgang Weingart. 8.75 x 11 in.
450 illustrations
English/German… More >>
» Read more: Wolfgang Weingart: My Way to Typography
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Early in this century, Futurist and Dada artists developed brilliantly innovative uses of typography that blurred the boundaries between visual art and literature. In The Visible Word, Johanna Drucker shows how later art criticism has distorted our understanding of such works. She argues that Futurist, Dadaist, and Cubist artists emphasized materiality as the heart of their experimental approach to both visual and poetic forms of representation; by mid-century, howe… More >>
» Read more: The Visible Word: Experimental Typography and Modern Art, 1909-1923