Product Description
Can you really compare experimental three-dimensional typography – like lettering made of live moss or letter kites that fly messages in the sky – to the work of Gutenberg? If you ask Jeanette Abbink, Emily CM Anderson and the over 100 international designers and typographers featured in 3D Typography, the answer is a resounding yes.
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Early in this century, Futurist and Dada artists developed brilliantly innovative uses of typography that blurred the boundaries between visual art and literature. In The Visible Word, Johanna Drucker shows how later art criticism has distorted our understanding of such works. She argues that Futurist, Dadaist, and Cubist artists emphasized materiality as the heart of their experimental approach to both visual and poetic forms of representation; by mid-century, howe… More >>
» Read more: The Visible Word: Experimental Typography and Modern Art, 1909-1923
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This comprehensive catalog breaks down the numerous books, journals, personal notes, and papers comprising the Frank M. Preucil Collection for quick and easy reference…. More >>